论文部分内容阅读
干哪行都有个团结问题,戏曲演员之间也是这样。京剧界所谓“红花、绿叶”之说,说明演员彼此之间密切合作的重要。我同马连良先生有较长时期的合作。在合作过程中,我感到马先生在如何对待同台合作者的问题上,有其独到的见解。有的演员在成名之后,往往不能冷静、客观地对待自己,因而也不能正确地对待同台合作者,认为自己的成名全靠自己——“我是主演,观众看的是我,没谁都成,没我不成。”由于抱着这样的思想,倘若同台合作者在台上有光彩,受到观众的欢迎,他便难
Where do you have a solidarity problem, the same is true between opera actors. The so-called “safflower, green leaves” in the Beijing opera world say that it is important for actors to work closely with each other. I have a long period of cooperation with Mr. Ma Liangliang. In the process of cooperation, I feel that Mr. Ma has his unique opinion on how to treat the co-partners on the same stage. Some actors fame, often can not be calm and objective treatment of themselves, and therefore can not be treated correctly co-partners, that their fame depends entirely on their own - “I’m the protagonist, the audience to see me, no one Into, no, I can not. ”With this kind of thinking, if the co-partners on the stage with a good light on the stage, welcomed by the audience, he would be difficult