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在梳理本栏目稿件时,一个突出的感觉是,新仟年确实带来了新气象,在画家们的文字中,读到了一种新的思考,在他们的作品中亦见出认真的探索,无疑,这是可喜的,从为人生的艺术到为艺术的艺术,从启蒙到体验,在诸般推演变革中,那种丰富、多元的艺术场景与气象,都是近年不多见的。本期我们推介的名家为冰雪山水画的首创者于志学先生,这是一位我们熟知的画家,他以独创的山水语言表现了北国冰雪山水世界的美感境界与精神内蕴,特别是他的文章《墨有韵、白有光》有助于我们对画家数十年如一日,呕心沥血的艺术探索、研究、实验的了解,并见出一位艺术耕耘者的成熟思考。
One striking feeling when it comes to sorting out manuscripts in this section is that the new millennium has brought a new atmosphere. In the words of the painters, a new thought has been read and serious exploration has been seen in their works. Undoubtedly, this is gratifying. From the art of life to the art of art, from enlightenment to experience, in all kinds of deduction and transformation, the rich and diverse art scene and meteorology are rare in recent years. In this issue, we introduce the famous artist Mr. Yu Zhixue, the pioneer of ice and snow landscape painting. This is a well-known painter. His original landscape language represents the beauty and spiritual connotation of the snow and ice landscape in North China, especially his article “Ink with rhyme, white with light” helps us understand the art exploration, research and experiment of painters for decades and painstakingly paints, and sees the mature thinking of an art cultivator.