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法国布丰曾有“风格即人”的立论,中国苏轼亦有“文如其人”的观点,尽管两者皆因后人无数次的引用与演绎而早已无理论的尖新之感,尽管人与艺的合一和悖离都因可以找到无数的正反例证而难以成为可严肃讨论的命题,但仅就张国平的油画创作这一个案而言,其个人气质与作品风格之间确实存在着某种契合,或者至少可以说,两者之间有着一种平行的比拟关系。
France Buffon once had the argument that “style is man” and China’s Su Shi also has the idea of “writing as a man”. Although both of them have long been theoretically spiky due to numerous references and deductions from later generations Although both the unity and the anomaly of man and his art are hard to be discussed propitiously due to the innumerable positive and negative examples he can find, his personal temperament and style of work are only as far as Zhang Guoping’s painting creation is concerned There is indeed some fit between, or at least can say, there is a parallel relationship between the two.