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毫无疑问,贾科梅蒂(Giacometti)是二十世纪视觉领域的存在主义大师,他手下那些被拉长和垂直的人物,是四五十年代最具个性和风姿的人文景观。直到现在,当我们浏览位于巴黎高等美术学院附近诸多声名显赫的画廊时,依然能见到贾科梅蒂无处不在的影子,尤其在雕塑方面,他对后人潜移默化的影响是无可估量的。尽管现代艺术发展到了今天,各种各样冠以雕塑名义的作品层出不穷,它们稀奇古怪的造型着实令观众大开了眼界,但是,细究起来,可能没有一个人像贾科梅蒂那样扣动过无
There is no doubt that Giacometti, the existential master in the visual field of the twentieth century, is the most individualized and graceful humanist landscape in his forties and fifties, with his stretched and vertical figures under his belt. Until now, when we visit the prestigious galleries located in Paris near the Academy of Fine Arts, we can still see Giacometti’s ubiquitous shadow. Especially in sculptures, his subtle influence on future generations is immeasurable. Although modern art has come to an end today, a great variety of works under the name of sculptures emerge in an endless stream, and their bizarre shapes really open the eyes of the audience. However, as few studies as possible, none of them may be as cautious as Giacometti