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与“京派”、“海派”纪录片相比,“渝派”纪录片在表现上不算宏大,其反映的对象主要是日常生活百态,突出表现重庆人民坚忍不拔的品格。需要指出的是,文章之所以使用“创作思潮”而没有使用“创作思想”为题,主要是因为主观上学术界虽然已经确立了“渝派”纪录片的历史坐标,但对其“创作思想”还缺乏系统性的思考与普适性的提炼;与此同时,客观上还缺少得到公认并经得起历史检验的系统性、成型的思想。本研究应用情感分析对一些具有代表性的“渝派”纪录片进行定量研究。结果表明,“渝派”纪录片从正经历着一场蜕变,其题材与内容均对经济的发展、社会的变迁做了准确的回应。
Compared with the “Beijing School” and “Shanghai School” documentaries, the documentary film “Yu Faction” is not an ambitious performance. It mainly reflects the daily life style and highlights the perseverance of the Chongqing people. . What needs to be pointed out is that the reason why the article uses “creative thinking” rather than “creative thinking” is mainly because the subjective academic circles have established the historical coordinate of “Yu faction” documentary At the same time, there is still a lack of systematic and molding ideas that are generally recognized and can withstand historical tests. This research uses emotion analysis to conduct quantitative research on some representative “Yu faction” documentaries. The results show that “Yu faction” documentary is experiencing a transformation from the theme and content of both economic development and social changes made an accurate response.