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上海越剧改革从1942年算起,到1992年整整50年了。20世纪初,在浙江嵊县一带由民间说唱发展成一种民间小戏,称为小歌班,就是原始形态的越剧。其后历经男班绍兴文戏、女子绍兴文戏等阶段,到30年代中,在上海站住了脚。30年代末,抗日战争上海“孤岛”时期,上海畸形繁荣,女子越剧十分兴旺。“孤岛”沉沦后,上海越剧仍然在发展,达到30多个班社。但是直到1942年,越剧始终还是一种旧的戏曲形态,是以迎合上海小市民趣味为主的城市小戏。1938年,在抗日战争的背景下,姚水娟等著名演员邀请了某些
Shanghai Yue Opera Reform counted from 1942 to 1992, a full 50 years. Early 20th century, in Shengzhou County, Zhejiang Province from folk rap developed into a folk opera, known as the Little Singer, is the original form of opera. Later, after the male class Shaoxing opera, female Shaoxing stage, etc., by the mid-1930s, they had their feet in Shanghai. In the late 1930s, during Shanghai’s “islands” of the Sino-Japanese War, Shanghai became more prosperous and the female Yue Opera was thriving. After the “isolated island” sinks, Shanghai Yue Opera is still developing and reaching more than 30 clubs. However, it was not until 1942 that Yue Opera was always an old opera form, and it was a small urban opera that catered to Shanghai’s small-town residents’ tastes. In 1938, in the context of the Anti-Japanese War, some famous actors such as Yao Shuijuan invited