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“替换[displace]”是一直贯穿在王蓬作品中的创作方法。虽然创作的时间不同,使用的媒介不同,但是这种方法似乎作为一种特有的痕迹被一直保留在他的创作中。替换之一:消解“权威”与“神圣”1993年,他完成的个展“墙”就是一种“实”对“虚”、“开”与“关”的双重替换。作品《墙》是在中央美术学院附中的当代美术馆入口处砌了一堵真实的红砖墙,当观众来到现场的时候,只能站在门口莫名其妙地看着这个真实的墙然后转身离开。这件作品的“意思”在于,它巧妙地利用了观众对于“观看艺术”的心理期待。美术馆和艺术其实已经越来越成为一种文化仪式,而相应的艺术创作也成为“以
”Substitution [displace] “ is the creative method that runs through Wang Peng’s works. Although the time of creation is different and the medium used is different, this method seems to have been retained in his creation as a peculiar trace. One of the alternatives: digestion ”authority “ and ”sacred “ In 1993, he completed a solo exhibition ”wall “ is a kind of ”Off“ double replacement. The wall ”Wall“ is a real red brick wall at the entrance to the Museum of Contemporary Art in the middle school of the Central Academy of Fine Arts. When the audience comes to the scene, they can only stand in the doorway and somehow look at the real wall and then turn away . The ”meaning“ of this work is that it cleverly uses the audience’s psychological expectations of ”watching art.“ In fact, art galleries and the arts have become more and more a cultural ceremony, and the corresponding artistic creations have also become ”