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主题性绘画的理论阐释基础来自苏联的社会主义现实主义创作方法和原则,20世纪五六十年代在我国开始广泛使用,其主要内涵包括了重大题材、重要主题和重大意义三个层面,是以图像化形式体现国家意识形态的重要创作方法。对于新中国美术界来说,主题性绘画创作最重要的两种类型是革命历史主题以及生产建设主题。主题性绘画在新中国时期的对外美术交流展中为塑造新中国独立自强、和谐友善的国家形象以及搭建国际友谊的
The theoretical interpretation of thematic painting is based on the methods and principles of socialist realism creation in the Soviet Union. Since the 1950s and 1960s, it began to be widely used in our country. Its main connotation includes three major aspects: major themes, major themes and major themes. Image form reflects the important method of national ideology. For the new Chinese art world, the two most important types of thematic painting are the revolutionary history theme and the production and construction theme. In the exchange of foreign art in the New China Period, thematic paintings are designed to shape the image of a country that is independent, self-reliance, harmonious and friendly, and builds an international friendship.