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从艺术的构成要素出发,艺术内在的传播取向是其自身潜在的质的规定,可从创造、作品、欣赏及空间四个维度加以分析。在艺术内部的交互活动中,存在着艺术家通过“言”与“象”的互动,欣赏者凭借“言”对“象”的解读,在艺术创作中形成的“意”与接受活动中形成的“意”有重叠之处,却各自具有不同的内涵与外延。在艺术内层的交互活动中“象”成为联系艺术家与欣赏者的中介,艺术空间就是在这一互动过程中逐渐生成。同时,它们的合力构成了艺术传播的起始动因,并体现着艺术内在的传播诉求。
Starting from the elements of art, the inherent transmission orientation of art is its own inherent quality requirement, which can be analyzed from the four dimensions of creation, works, appreciation and space. In the interactive activities within the art, there is an interaction between the artist and the “elephant” through which the appreciator can interpret the “elephant” by means of “Yan ” and the “ There is an overlap between ”meaning“ and ”meaning“ formed in the acceptance activities, but each has different connotation and extension. In the interaction of inner art, ”image " becomes an intermediary that connects artists and appreciators. Art space is gradually formed in this interactive process. At the same time, their synergies constitute the initial motivation for the dissemination of art and embody the intrinsic dissemination of art.