“冷”在洋场地 逸趣自芬芳——虚谷绘画艺术刍议及其市场走向概述

• 作 者: 梅痴
• 出 处: 收藏界
• 发表日期: 2006年03期
• 关键词: 虚谷 中国绘画史 徽商 长三角 骨髓 扬州八怪 当时 吴昌硕 胡公寿 梅花书屋图

晚清的海上画坛,虽在中国绘画史上被称之为“半壁江山”,但囿于当时的“长三角”日趋增多的商贾(其中更多的是儒商——“徽商”)云集上海滩,“市场经济”的思维意识也自然而然地渗透到书画家的骨髓里。书画家的审美取向为商贾的需要“所左右”,还要追溯到清初的扬州。徽商

Although the late Qing painting circles were called “half of the country” in the history of Chinese painting, the growing number of merchants (more of them Confucian merchants - Huizhou Merchants) gathered in Shanghai’s “Yangtze River Delta” , “Market economy,” the sense of thinking has naturally infiltrated the painter’s marrow. The aesthetic orientation of calligraphists and painters is about the needs of merchants, but also goes back to Yangzhou in the early Qing Dynasty. Hui Merchants