论文部分内容阅读
在油画理论中结构、色彩、虚实是画着关注的几大要素。虚实关系的处理从中国古代绘画体系中就有所关注。虚实关系也成为绘画艺术研究的一条主线路,链接着艺术家对绘画“门道”的探索,不仅需要对色彩的灵活运用还需要掌控整体画面的的关系,这是整个绘画艺术的“秩序”。“虚实相生,无画处皆成妙境”描述的就是一种艺术的创造,虚实结合,化实为虚,把本来应有的“实物”经过艺术处理变成一种情趣。让画面更加的动人
In oil painting theory structure, color, fiction and reality are drawn several major elements of concern. The treatment of the relationship between the real and the actual situation has drawn some attention from the ancient Chinese painting system. The relationship between actuality and reality has also become a main line in the study of painting art. Linking with the artist’s exploration of painting “Doorway ”, not only the flexible use of color but also the relationship of the whole picture must be controlled. This is the order of the entire painting art “. ”Real or not, no painting everywhere are wonderful“ describes the creation of an art, the combination of the actual situation and the virtual reality, the originally due ”physical " through the artistic process into a kind of taste. Make the screen more moving