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《佛说盂兰盆经》里“目连救母”的故事,在唐、五代时期被改编成说唱文学《目连救母》(敦煌变文之一),成为传统戏曲剧种之一。此后故事渐趋发展完善,据宋代孟元老《东京梦华录》记载,当时都城里《目连救母》杂剧能连演7天。到明代,《目连救母劝善戏文》等剧本相继行世,大多着意渲染目连母被打入地狱,受到各种磨难、报应,而目连不避艰险,遍游地狱寻母,求佛救母等情节,很多情节都可独立成短折戏,如《下山》、《哑子背疯婆》、《王婆骂鸡》、《赵花打老子》等。因此,目连戏的演出有“两头红”的说法,就是从太阳落山开始演,一直演到第二天日出。
In the period of Tang Dynasty and Five Dynasties, the story of “Mululanpulao” and “Mullion to Save the Mother” was adapted into rap literature “Mulian Saves Mother” (one of the Dunhuang variant) which became one of the traditional operas . Since then, the story has gradually developed and improved. According to records of Meng Yuan-tao’s “Tokyo Dream Records” in the Song Dynasty, the project “Mulian Saves Mother” was held in the city for 7 days. To the Ming Dynasty, “Mulian persuaded the good play the text of the drama” and other scripts have been in operation, most of them intended to render eyes with the mother was driven into hell, subjected to all kinds of tribulation, retribution, and even without hesitation, head to hell to find mother, seek Save the mother and the plot of the Buddha, many episodes can be made into a short play, such as “down”, “dumb back crazy woman”, “Wang Po curse chicken”, “Zhao hit me”. Therefore, the headline drama “” red "is from the sun began to play, has been performed until the next sunrise.