论文部分内容阅读
种种迹象表明,《兰亭序》的出世、扬名与模榻、殉葬、辗转流传都与贞观时期的唐太宗李世民的精心策划与组织密切相关。据此,本文认为《兰亭》事件是唐太宗为了树立书法领域新偶像,而进行的一次有组织有预谋的“造星活动”。这一事件可从以下几个过程展开:一、贞观年间开展广收王羲之真迹的活动,真假不辨,照收不误。二、计赚《兰亭》,产生热门话题。三、将错就错,众人临摹,原本隐藏。四、亲自为王羲之做传,将《兰亭序》一文录入《晋史王羲之传》,弄假成真。五、太宗死后,《兰亭序》原本入葬昭陵,死无对证,留下临本在世,后人无法评说。通过这一系列活动的精心策划,唐太宗最终将王羲之推向了书法史上的至高地位,影响了一代又一代的书法家们。
There are indications that the birth of the “Lanting Preface”, famous and modest, sacrificial burial, were all circulating and closely related to the careful planning and organization of the Taizong Li Shimin during the Zhenguan period. Accordingly, this article holds that “Lanting” event was an organized and premeditated “star-making activity” conducted by Emperor Taizong in order to establish a new idol in the field of calligraphy. This incident can be started from the following process: First, Zhenguan years to carry out the activities of Wang Xizhi to receive authentic, true or false, according to correct. Second, make a profit “Lanting”, have a hot topic. Third, the mistake will be wrong, all copy, originally hidden. Fourth, Wang Xizhi personally for the biography, the “Lanting Pavilion,” a text entry “History of Wang Xi Wang Jin,” get the fake come true. Five, after the death of Taizong, “Orchid Pavilion” was originally buried in Zhaoling, died without evidence, leaving temporary living, future generations can not comment. Through careful planning of this series of activities, Emperor Taizong eventually pushed Wang Xizhi to the highest position in the history of calligraphy and influenced generations of calligraphers.