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曾经,我很喜欢这样一个故事:夏目漱石教英文时,让学生把一篇短文中的“I love you”翻译成日文,学生答道:“当然是‘我爱你’了。”夏目漱石摇摇头道:“日本人怎么能这么直白呢?说一句‘今晚月色很好’就足够了。”后来,我发现我喜欢的不是这个故事,而是它造的境,退想无边的境。简单的六个字,我想象的是这样一个场景:晚风骀荡,绿草葱茏,夜空无垠,月朗星疏,四寂无人,孤棚一座。积压已久的误会刚刚消除,女主角靠在车上,仰望星空,凝固了一冬的嘴角终现出一道流畅的弧
Once upon a time, I really like the story that when Natsume taught English, he asked students to translate “I love you” in an essay into Japanese. The student replied: “Of course I love you.” “Natsume shook his head:” How could the Japanese be so straightforward? Saying ’Good moon tonight’ is enough. "Later, I found out that I did not like this story but the one it made Habitat, retreat boundless border. Simple six words, I imagine is such a scene: breeze breeze, green grass lush, the night sky expanse, moonlight sparse, silent, orphans. Backlog has long been a misunderstanding just eliminated, the actress leaning on the car, looking at the stars, solidified a winter’s mouth to show a smooth arc