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自元代以来,把中国产生戏曲的起点一直设置在宋代已是曲学界基本达成一致的共识定论,因为宋代才有了真正意义上的剧本,而王国维《宋元戏曲史》的巨大影响也使多数曲学家收回了向宋前寻幽探胜的目光,宋前戏剧很少有人发掘整理,零散的审视、阐释倒是不少,而成体系的专著却似凤毛麟角。所以如此,是中国古代戏曲在宋前虽有丰富的演出史料,但的确没有剧本留存下来,宋后不仅演出史料甚为丰富,而且留下了数以千计的剧本,更值得一提的是曲学研究也蔚然成风。这种前轻后重的曲史态
Since the Yuan Dynasty, the starting point of Chinese opera has always been set in the Song Dynasty. It is a consensus that the music circles basically reached a consensus because the Song Dynasty had a true script, and the great influence of Wang Guowei’s Song and Yuan Opera History So that most of the musicians reclaimed the quest to seek pre-Song quiet vision, few people in the Song Dynasty drama excavation, fragmentary examination, interpretation is quite a lot, and into a system of monographs are rare. So, it is the ancient Chinese drama that has abundant performances before the Song Dynasty, but it is true that there are no scripts left behind. After the Song Dynasty, not only the historical materials are very rich but also thousands of scripts have been left behind. What is worth mentioning is that Music research is also common practice. This light before the heavy song history