论文部分内容阅读
在当今的文学创作领域,各种文学思潮、思维方式、创作手法层出不穷;文学流派众多,主张也五花八门。如现代叙事文学的自由程序(无主干情节、多重情节、以结构代替情节等),与传统叙事文学相比,存在着相当广泛而深刻的差异,就是一例。但这些新型流派的出现,并没有完全取代传统创作思维方式,后者亦葆有其顽强的生命力,仍在延续、发展;与此同时,一些既承接传统,又不失现代气息,“既古老又年轻”的创作思维与方法更以其特有的魅力而雅俗共赏,拥有广大的读者群,“逆向思维”就是如此。对其作必要的探讨,具有重要的现实意义。 “逆向思维”及其相应的创作方式在文学、艺术领域有着古老的传统。如古典诗词中的“回文锦”;音乐结构组织中的逆行、倒影
In the field of literary creation today, various literary trends of thought, modes of thinking, and creative techniques have emerged in an endless stream; there are numerous literary schools and many different claims. For example, the free process of modern narrative literature (with no main plot, multiple plots, and structure instead of plots, etc.) is quite different from the traditional narrative literature. This is an example. However, the emergence of these new schools does not completely replace the traditional creative thinking. The latter also has its vitality and is still continuing and developing. At the same time, some of them inherit both tradition and modernity. The ancient and young creation thoughts and methods have their own unique charm and appeal to a wide range of readers. This is what “reverse thinking” means. It is of great practical significance to make necessary research on it. The “reverse thinking” and its corresponding creative methods have ancient traditions in the field of literature and art. For example, in the classical poetry, “back to the text”; retrograde and reflection in the music structure organization