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中国古代碑志盛行,到了有明一代,碑文数量庞大而佳作锐减。归有光的碑文却能独具特色,不仅具有丰富的文化内涵:折射明代社会现状、抒发个人惨淡凄苦之情、表达对女性的同情与赞美;而且体现了独特的审美艺术:结构短小精悍,重点突出,语言平淡自然,质朴归真,行文旁见侧出,情动其中,对后世文人的碑志创作具有重要的借鉴意义。
The ancient Chinese inscriptions prevailed, to a bright future, a large number of inscriptions and masterpiece sharp reduction. It is not only rich in cultural connotations: Reflecting the present situation of the society in the Ming dynasty, expressing individual displeasure and miserableness, expressing sympathy and praise to women, but also embodying the unique aesthetic art: the structure is short and diligent, Emphasis is put on, the language is plain and natural, simple and straightforward, paraphrasing it side by side, emotionally moving among them, which is of great reference significance for later literary inscription creation.