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自1986年在武汉召开建国以来第一次“中国盆景学术讨论会”后,骤然间即在全国掀起了一股强劲的创派风。一时间全国各地盆景艺术界许多同志先后在报刊杂志上发表了不少评述各地区“风格”或“流派”特色的专论。整整10年过去了。成绩不能说一无所有。但究竟新的风格、流派创建了多少?恐无一人能避开“五大流派”再列举一个典型范例。反倒使一些传统格调如“三弯九倒拐”、“滚龙抱
After the first “China Bonsai Symposium” since the founding of the People’s Republic of China in 1986 in Wuhan, there was a sudden surge of innovation across the country. For a time, many comrades in the art of bonsai throughout the country published many monographs in newspapers and magazines on the characteristics of “style” or “genre” in various regions. A full 10 years have passed. Grades can not say nothing. But what exactly is the new style and the number of genres created? Few people can avoid the “five major genres” and cite a typical example. In fact, some traditional style, such as “three bend nine inverted”, "long hug