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受凯斯·詹京斯史学理论的启发,笔者对明末清初以来记述、评论费宫人故事的史籍、笔记、小说、诗歌、戏剧等资料进行分析梳理,提出费宫人虽然是明清易代之际具体存在而记载简略的一位历史人物,但故事在后来的流传过程中不断被丰满、扩充、修正,并在此基础上分析作者和读者双方的心态与所处的时代环境及其变迁过程,揭示不同文本对于不同受众的不同作用。
Inspired by the theory of historiography by Case Gyenethus, the author analyzes the historical records, notes, novels, poems, dramas and other materials that have been used to describe and comment on the imperial palace since the late Ming and early Qing Dynasties, On the occasion of the new generation, there is a historical figure with a brief record of the historical figures. However, the story is continuously enriched, expanded and revised in the later circulation. On this basis, the author analyzes the mentality of the author and the readers and the environment in which he lives and Its changing process reveals different roles of different texts for different audiences.