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4月14日,青海玉树发生里氏7.1级强地震,这片赭红色的展延在唐古拉山脉东沿的辽阔大地顿时成为世界关注的焦点。在这场抗震救灾的战斗中,全国的美术家们既通过捐款、义卖等多种形式为灾区的救援与重建奉献爱心,也用手中的画笔抒写了他们对于这片神奇土地的挚爱与赞美。的确,玉树在中国美术家的心目中从来就拥有一种神圣的魅力。上世纪40年代,吴作人两次康藏地区的旅行写生,瞠开了这片末被画笔开垦的三江之源。他所描绘的玉树纯净的天空、阳光直射下的负水
On April 14, a 7.1-magnitude Richter earthquake struck Yushu in Qinghai Province. This red-tinged stretch extended over the vast land along the east edge of the Tangula Mountains to become the world’s focus of attention. In this earthquake-relief battle, artists across the country not only donated their love and assistance to disaster relief and reconstruction through donations and charity bazaars, but also used their brushes to describe their love and praise for this magical land. Indeed, Yushu has always had a sacred charm in the eyes of Chinese artists. 40s of last century, Wu Zuoren twice Kangxi area travel sketching, opened the end of this brush was reclaimed the source of Sanjiang. He described the pure sky of Eucalyptus, the direct water under the sun