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19世纪末20世纪初流行于法国的一批画家。塞尚是其代表,他和印象派的思想有所不同,追求光色已经不是他们的最终目的,他开始由写实变为强调作品的主观感情和自我感受,并重视形和构成形的线条、色块和体积。但是他的画又是如何符合中国的“道”家思想呢?下面这篇文章就是我对这一问题做的简要分析。
A group of painters popular in France in the late 19th and early 20th centuries. Cezanne is his representative, he and Impressionist thought are different, the pursuit of light color is not their ultimate goal, he began to change from realism to emphasize the subjective feelings and feelings of the work, and the emphasis on form and form the line, color Block and volume. But how does his painting conform to China’s “Taoism” thoughts? The following article is a brief analysis of this issue.