论文部分内容阅读
当前,围绕如何振兴戏曲进行改革的讨论已成为戏曲界的热点问题。对此各抒己见,观点不一,但实质上诸多观点当可归结为两种:一是认为经济体制的改革、观念的更新与戏曲所反映的陈旧内容已形成明显的反差。因而要振兴戏曲必须改革戏曲的内容;二是认为我国戏曲有唱、念、做、打等一整套完美的程式化表演,观众对此也是入木三分的欣赏。而戏曲宣扬的那些“忠君”、“清官”思想则已成为观念溶于人们脑际了。故而观众看戏主要是看戏曲中程式化的表演,而不是看内容,所以戏曲改革的关键是形式而不是内容。
At present, the discussion on how to rejuvenate the opera for reform has become a hot topic in the opera circle. However, in reality, many views can be summed up in two ways: First, they think that the reform of the economic system and the updating of concepts have been in marked contrast with the old ones reflected in the drama. Therefore, we must reform the traditional Chinese opera drama content, the second is that we have a singing, reading, doing, playing a perfect set of stylized performances, the audience is also a third of appreciation. However, the ideas of “allegiance” and “honest government” advocated by the drama have become the ideas that dissolve people’s minds. Therefore, the audience watching the drama mainly depends on the stylized performances in the opera, not the content, so the key to the drama reform is the form rather than the content.