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最近,中国评剧院把乐队搬上了舞台,把横在演员和观众之间的那道“音乐之墙”拆除了!台上台下,都为乐队返归原位拍手称赞。对于一些戏曲剧团的乐队从台上移往台下的是非得失,前两年在报刊上曾热烈地讨论过,但众说纷纭,莫衷一是。作为一个戏曲观众,有时真以此为苦:看戏时,乐池中几十人的大乐队,拦在演员与观众之间,奏鸣起来,常常把演员刻划人物的精彩演唱淹没在这音乐的洪流之中,简直没办法听清楚。剧场中有乐池,巳经要使人竖起耳朵来听唱曲了,要是剧场中没乐池,有的剧团干脆拆掉前几排座椅,用布幔围起一座临时乐池,这样,那些高高的大提琴、大低胡,以及演奏员的身躯,还不时扰乱了甚或挡
Recently, the Chinese Theater of Criticism put the band onto the stage and dismantled the “wall of music” across the stage between the actor and the audience. All of them were applauded for their return to their original position. For some opera troupe band moved from the stage to the audience is a loss, the first two years in the press have been discussed enthusiastically, but divergent views, implausible. As a drama audience, sometimes really hard: when the theater, dozens of people in the pool of large band, stopped between the actors and spectators, playing the song, often scribbled actors cast a wonderful concert in this music Of the torrent, simply can not hear clearly. There are music pools in the theater, and people have to erect ears to listen to songs. If there is no music pool in the theater, some theaters simply dismantle the first rows of seats and use the cloth to enclose a temporary pool so that those high High cello, big low Hu, and the player’s body, but also from time to time disrupted or even blocked