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虽然早在阅读《身体课》(载《花城》2010年第4期)这部长篇小说之前,我所知道秦巴子是陕西一位很有影响的优秀诗人。此番真正吸引我阅读注意力的,其实还是小说那迥异于寻常的标题。之所以如此,一方面的原因在于,当代中国文学曾经在相当长的一个时期内把本来与文学密切相关的“身体”全然放逐在了文学的领域之外。事实上,这样一种肉身的被抽离,相当严重地影响着那一时期中国文学更高成就的取得。既然曾经放逐过身体,甚至于把身体当做了
Although I have long read the novel “Body Course” (No. 4, 2010, Huacheng), I know that Qin Ba Zi is a very influential outstanding poet in Shaanxi. This time I really fascinated reading, in fact, that novel is quite different from the usual title. The reason why this is so, on the one hand, lies in the fact that contemporary Chinese literature has for quite a long time completely banished the “body”, which was originally closely related to literature, from the field of literature. In fact, the removal of such a body has seriously affected the acquisition of higher achievements in Chinese literature during that period. Since the body had been exiled, even the body as a