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王健行的水墨艺术以涂鸦面貌横空出世,惊世骇俗。他如醉汉,似酒神,纵身跳入纸中,胡涂乱抹,肆意挥洒。中国画讲求以书入画,笔墨兼备,特别是宋元至明清之际,笔墨渐趋成法,一笔一墨皆有出处,森严完备。清初四王代表了笔墨桎梏之峰,之后的四僧、金陵画派、扬州八怪以至道咸中兴都在力图恢复笔墨性情与古道。王健行多年迷恋嘻哈音乐,他在说唱艺术中找到了言说的畅快和爆发的快感,心性因此获得了无以复加的自
Wang Jianxing ink art to the graffiti turned out, shock world. He is like a drunkard, like a god of wine, plunged into the paper, scrawled, wantonly. Chinese painting emphasis on the book into the painting, both ink and brush, especially the Song and Yuan Dynasties to the Ming and Qing Dynasties, the pen and ink is gradually becoming a law, one by one has its origin, complete and complete. In the early Qing Dynasty, the four kings represented the peak of the pen and ink, after which four monks, Jinling School, Yangzhou Baicai and Daoxian ZTE all tried hard to restore their temperament and ancient ways. Wang Jianxing obsessed with hip-hop music for many years, he found in the rap art of talking and burst of pleasure, so get unintended since