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情感作为人的心理活动,一方面是人在实践活动中产生的,另一方面它又支配着人在现实中从事各种社会实践活动,它往往成为推动人们进行实践活动的内趋力。当然,推动人们进行实践活动的动力并非局限于情感,而且还包括象意识,目的等诸多因素。本文只是概要分析艺术家的情感与非艺术家情感的差异,以及情感的转换。我们说情感是推动人们进行买践活动的内趋力量。由于人们从事不同的社会实践活动,在对待事物的态度上便产生了不同的情感认识。这里所说的情感认识,亦即指人依据其特殊的实践方式,对其在实践活动中内在情感生成这一心理活动的感悟和认识的不同而产生表达方式的不同。(如艺术家往
Emotion, as a person’s psychological activity, is produced by man in his practical activities on one hand, and on the other hand it dominates the practice of various social practices in reality. It often becomes the driving force pushing people to carry out practical activities. Of course, the motivation to promote people’s practical activities is not limited to feelings, but also includes many factors such as consciousness and purpose. This article is only an overview of the artist’s emotional and non-artist sentiment differences, as well as emotional transformation. We say that emotion is the driving force pushing people to practice. Because people engage in different social practices, they have different feelings about their attitudes towards things. Emotional understanding mentioned here refers to the difference in the way of expression arising from the different perceptions and understandings of the psychologically active inner emotion generation in practical activities based on their special practice. (Such as artists to