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戊寅新春伊始,国画系嘱我教授本科二年级花鸟班“没骨花”课程.虽有近代名家画本可供临摹,然因其法古卓,恐难以做到因材施教.惶惶之时,把自己以前读过的几篇古人有关“没骨花”的论述迻录出来,参以己意,略为叙说,敷成短章,特奉上以资参照学习.“没骨花”是一种古法.《图画见闻志》说“其画皆无笔墨,惟用五彩布成”.五代、宋初是没骨花卉很盛行的时代,后来曾一度中绝,至清代得以复兴,成为“正宗”画格,这是“没骨花”发展的基本轮廓.
At the beginning of the spring of Wuyin, the Department of Chinese Painting instructed me to teach the second grade flower and bird class “No Bone Flower” course for undergraduate students. Although modern famous paintings are available for copying, Some of the ancients who read a few articles about “boneless flowers” that were read before were read out, taken as their own meaning, a little narrative, and laid down in short journals to provide reference for reference. “The boneless flower” is an ancient Law. “Drawing anecdote” that “the painting is without ink, but with colorful cloth.” Five Dynasties, early Song Dynasty is a time when no bone flower is very popular, and was once in the absolute, to the Qing Dynasty to be rejuvenated, as “authentic ”Drawing grid, which is the basic outline of the development of“ no bone flower ”.