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凡是读过废名作品的人都不难发现废名之善用意象。“桥”、“塔”、“灯”、“镜”、“树”、“树荫”、“坟”……这些意象的频繁交替出现,是废名文学世界充满诗情画意而又含蓄曲折的重要原因之一。朱光潜在《诗论》中谈到中国诗歌好谈“微言大义”的传统:“……我们不能否认,中国诗人好作隐语的习惯向来很深。”(1“)意象”无疑是隐语的形式之一——用捉迷藏的游戏态度,把一件事物、情趣先隐藏起来,只露出一些线索来,让人可以猜出所隐藏的是什么。诗和艺术本来就是带有几分游戏性的。所以,破解废名文学世界中“意象”的谜语,也许会使我们更多地了解废名,更顺利地接近他的艺术世界与精神世界。
Those who have read the work of the fame are not difficult to find the use of the image of the fame. “Bridge”, “tower”, “lamp”, “mirror”, “tree”, “shade”, “grave” ... ... frequent alternation of these images is Fei Ming literary world is full of poetic but subtle twists and turns important one of the reasons. In his “Poetry Theory”, Zhu Guangqian talked about the tradition of Chinese poetry talking about “righteous cause”: “... we can not deny that Chinese poets are always accustomed to being good at argot.” (1 “) Imagery is undoubtedly a form of lexicon One - hide and seek with a game attitude, to hide a thing, taste first, only revealing some clues, so that people can guess what is hidden. Poetry and art have always been somewhat gameplay. Therefore, cracking the riddles of ”imagery" in the literary world may lead us to learn more about the famous names and get closer to his artistic and spiritual worlds.