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马克思在《哲学经济学手稿》里,通过对劳动这一人类本质力量对象化活动的精湛研探,科学解释了美与艺术的形成。按马克思的意见,艺术活动作为人类本质力量的一种表现,一方面表现着主体自身,另一方面又须藉外在现实达到表现。它既是主体审美意识、智慧人格的外化,又是现实生活之再现。可惜,由于我们长久地一再地失误于艺术主客体关系,因此,在艺术真实性问题上仍墨守一种偏颇成见,即:艺术真实不等于生活现象的真实,它须是本质现象的真
In “The Manuscript of Philosophy and Economics”, Marx explained the formation of beauty and art scientifically through the exquisite exploration of the objectification of labor as the essential force of human nature. According to Marx’s view, artistic activity, as a manifestation of the human being’s essential power, shows the subject itself on the one hand and the performance by the outside reality on the other hand. It is not only the aesthetic consciousness of the subject, the externalization of intellectual personality, but also the reproduction of real life. Unfortunately, because we have repeatedly failed to make mistakes in the relationship between the subject and the subject of art, we still cling to a biased stereotype on the question of the authenticity of the art. That is, the fact of art does not equal the reality of the phenomenon of life. It must be the essence of the phenomenon