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京剧《沙陀国》之本出于史书、演绎中唐末李克用的形象。《沙陀国》之源为花脸老戏,谭鑫培先生将其改成老生应工的《珠帘寨》,亦富特色,流传颇广。全剧允文允武,主要人物李克用形象立体、耸拔。《沙陀国》难点在花脸功法的特色要求以及其特色所“生发”的处理——如西皮声腔贯盈繁复、玩笑元素、铜锤开打等。《沙陀国》体现出京剧“文”、“艺”彼此融汇的特点。《沙陀国》复排意义在于“继旧开新”的实践,以及不同行当演绎相同题材的深刻内涵。
Beijing opera “Shatuo country” of the book out of history, interpretation of the end of the late Tang Dynasty with Li image. The origin of “Shatuo country” is an old-fashioned show. Mr. Tan Xinpei turned it into a “curtain-walled village” with veteran students, and also has rich features and a wide circulation. Yun Wu Yun drama, the main character Li Ke with three-dimensional, towering. The difficulty of “Shatuo country” in the face of the characteristics of the requirements of the law as well as its characteristics by the “germinal” treatment - such as the sound of Xipi Guan Ying complex, joke elements, such as copper hammer open play. “Shatuo country” reflects the characteristics of Peking Opera “Wen ”, “Arts ” blend each other. “Shatuo country” rehearsal significance lies in the “old and new” practice, as well as different lines of interpretation of the same theme of the profound connotation.