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将西欧古典主义细腻、逼真的造型技法用于传达东方传统文化高雅、苍厚、古拙的审美意蕴,本着这样一个着眼点与创作思路,朱植人创作了一批以“文房四宝”为主题的静物油画。对于出身沪上书香门第、现又供职于浙江省博物馆(又系该馆属下西湖画院的画师之一)的朱植人来说,这些表现对象差不多从孩提时代就为他所熟视。他在学生时期扎实的素描基本功与后来复进美院深造练就的油画技巧,在对各种对象的质感、量感、光感、色感空间的表现中均得以充分的发挥。 静物油画作为一种主题创作,与任何绘画创作一样,最终要表现作画者自己的审美情趣与品格;而简单地模拟与照搬外部世界物品的
Using the exquisite and vivid modeling techniques of Western European classicism to convey the aesthetic connotation of oriental traditional culture with elegance, profoundness and ancient clumsiness, Zhu Zhiren created such a series of still life oil paintings with the theme of “Four Treasures of the Four Treasures” . For Zhu Zhuren, a native of Shanghai, who now works in the Zhejiang Provincial Museum (also one of the painters of the West Lake Painting School under the museum), these objects of performance are familiar to him almost from his childhood. His solid sketching skills during his student years and his later re-entry into the United States Academy of Painting practice skills, in a variety of objects of texture, volume, light, color space to be fully demonstrated. Still life oil painting, as a kind of theme creation, like any painting creation, will ultimately show the artist’s own aesthetic taste and character; while simply simulating and copying the external world objects