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中罔历来对于写意人物画的讨论浩如烟海,概括来说,不外乎对其造型和笔墨的研究。笔墨是中国画人物的绘画语言,造型是艺术家从客观存在抽离出来的元素并经过意象观察而来的,二者共同构成写意人物画的根本。就造型来讲,中国绘画的精神以传统哲学中的儒、道、释为思想根基,符合中国本土文化和民族传统审美心理,因此将写意人物画的造型观念深化为
In the past, the discussion on freehand portraits has been vast. In a nutshell, it is nothing more than a study of its styling and brushwork. Pen and ink is the painting language of Chinese painting figures. The modeling is the artist’s element which is drawn from the objective existence and observed through the imagery. Both of them form the foundation of the freehand figure painting. As far as modeling is concerned, the spirit of Chinese painting is rooted in Confucianism, Taoism and Buddhism in traditional philosophy and conforms to the aesthetic psychology of Chinese native culture and national tradition. Therefore, the concept of traditional Chinese painting is deepened into