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悬崖式在盆景艺术中较为常见,大悬崖比小悬崖少一些。难度也较大。它通过曲折向下的主干体现树相的力度,由俯冲的层次表现气势;层次浓密为佳,主干苍桑为上品,二者相得益彰。乍看,陈国世的这个作品(图1)层次并不浓密,甚至有点稀疏的感觉。但仔细品味,每个层次的修剪都比较到位,且在修剪中求变化,避免了俯冲的雷同。头部的小层成半圆形,侧向正面。第二层则成小树型,略向前俯。这一层的位置很重要,在视觉上占主要部位,为第三层次的冲势作了铺垫。关键的是最下一层,即树梢,如作者修剪的那样,萧洒飘逸,因此,三个层次能有一股灵气似地白头部贯穿全树,神因形而出,形因神而妙。
Cliff-style art is more common in bonsai, large cliffs smaller cliffs than small. More difficult. It reflects the strength of the tree phase through the twists and turns of the trunk downward, showing the momentum from the level of the subduction; the level of dense is better, the main trunk Cangsang is the top grade, the two complement each other. At first glance, Chen Guoshi’s work (Figure 1) is not dense or even sparsely felt. However, careful taste, pruning at each level are more in place, and to change in the pruning to avoid the same subduction. The head of the small into a semi-circular, lateral front. The second layer into a small tree, slightly bent forward. The position of this layer is very important, the main part in the visual, paving the way for the third level of the momentum. The key is the bottom layer, the treetops, which are elegant and elegant as the author pruned. Therefore, the three levels can have a reiki like white heads running through the whole tree. .