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近年来,新历史主义研究方法西风东渐,谍战剧亦重回大众视野并造成收视热潮。本文,笔者从新历史主义视角对近期谍战剧进行审视,指出:首先,存在一些紧随现实话语环境变化的转变,如时下谍战剧一般不再着重刻画敌我的冲突对立、善恶的正面交锋,几乎不承担历史是非对错的审判责任,而一般落脚于自我意义的认知、人性光辉的提升;其次,近年谍战剧中往往也体现一些现代思维印记,如谍战剧中的爱情往往体现现代人的爱情观、情节中蕴含很多知识崇拜倾向;最后,谍战剧仿佛成为了主流意识形态变革的点滴纪录史,丢失了具有前瞻性的引领、批评姿态,谍战剧应该做观众对于历史认识的启发者。
In recent years, the study methods of the New Historicism have made the westerly eastward and the spy-war drama return to the general public’s view and create a boom in viewing. This article, the author from the perspective of neo-historicism on the recent spy war drama review, pointed out: First of all, there are some changes in the environment immediately following the change of reality, such as current spy-war drama is no longer focused on depicting the rivalries between the enemy and myself, positive confrontation between good and evil , Almost does not assume that history is right or wrong in the trial of responsibility, and generally settled in the self-awareness of the cognitive, human glory upgrade; secondly, in recent years, spy-war drama often reflect some modern thinking imprint, Reflect the modern concept of love, the plots contain a lot of knowledge worship tendency; Finally, the spy war drama seems to be the history of the mainstream ideological change record, lost the forward-looking lead, critical attitude, spy war drama should do the audience Inspired by history.