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奥古斯特·雷诺阿(1841—1919)是19世纪法国印象派的重要画家。他擅长画人物,尤其是妇女儿童。一般认为,他的人物画、肖像画以细腻、活泼、生动、贴近生活为主要特征,画面上洋溢着欢乐的气氛。苏联文艺理论家卢那察尔斯基称他是“表现幸福的画家”,一位法国作家米拉布也说过,“雷诺阿可能是唯一从未画过悲伤作品的画家”。 然而,有一千个观众,就有一千个哈姆雷特——这一形象化的审美规律,大约对于各种艺术的鉴赏活动都是普遍适用的。所以,当诗人郑敏面对这幅雷诺阿的名作,凝视良久之后,便有了一个属于她自己的“少女”:一个不但有着秀美的容颜,而且有着深邃的心灵世界的艺术形象。首先引起诗人关注的,是“少女”的一双眼睛。眼睛——雷诺阿像所有高明的画
August Renoir (1841-1919) is an important painter of 19th-century French Impressionists. He is good at drawing people, especially women and children. Generally believed that his portraits, portraits with delicate, lively, vivid, close to life as the main feature, the picture filled with a happy atmosphere. Soviet literary theorist Luna Charski called him “a happy painter,” and a French writer, Mirabel, also said that “Renoir may be the only painter who has never painted sad works.” However, there are one thousand audiences and one thousand Hamlet - this visual aesthetic rule, which is generally applicable to the appreciation of various arts. So when the poet Zheng Min faced this Renoir masterpiece and stared at it for a long time, she had her own “girl”: an artistic image with a beautiful appearance and deep spiritual world. The first thing that has caused the poet’s attention is the “young girl” pair of eyes. Eyes - Renoir Like all the clever paintings