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“著我”是清朝诗人袁枚《续诗品》三十二首中的一个题目。两个字概括了诗歌创作的一条极重要的原则。所谓“著我”,说通俗些,就是诗中要有“我”,也就是要有诗人独特的思想抱负、性情遭际、喜怒哀乐,一句话,就是要表现诗人自己。有人问:诗人不是应该做阶级的代言人吗?为什么这里要强调表现自己呢?是的,诗人要做阶级的代言人,但问题是如何去做?一种是把“我”深深地隐蔽起来,俨然以阶级的“全权代表”自居,就象清代诗人尤侗在《西堂杂俎》中说的:“有人于此,面
“Follow me” is a subject in the thirty-two titles of Yuan Mei’s “continued poetry” written by the Qing poet. The two words summarize a very important principle of poetry creation. The so-called “Follow me” means to be more popular, that is, there must be “I” in poetry, that is to say, a poet should have a unique ideological aspiration, a temperament, and emotions. In a word, he must express himself to the poet himself. Some people ask: Should a poet not be a spokesperson for a class? Why is it necessary to stress expression of oneself? Yes, a poet wants to be a spokesperson for a class, but the problem is how to do it. One is to hide the “I” deeply. It is as if the class’s “pure power representative” is inhabited, just as the Qing poet, You Yi, said in the “Cultura of the West Hall”: “Someone is here,