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首都机场壁画这一页翻过去了。当年的创造者多已鬓发染霜。他们所盼的壁画运动艰难地出现了,预言的环境变化也发生了,但壁画的面貌却让明白人越来越糊涂,糊涂人越来越“明白”。随着“环境艺术”这个新名词的出现,壁画家开始将他们的事业前景作一番新的规划。在这以前,虽然大多数壁画家们实际上在进行着独幅画的放大,但独幅画的价值却在抬高“壁画”地位的呼声中被轻易地否定了。壁画在环境中的地位被一厢情愿地拔高,只有一点绘画知识的画家在“环境艺术”的旗帜下对建筑与空间发表议论。然而,任何一门学科的知识积累都不能在一夜间完成。环境艺术是以科学为背景的系统工程,
The capital airport mural turned over this page. Many of the creators of the year have already had hair creams. The mural movement they had hoped for was difficult to come by, and the predicted environmental changes took place. However, the face of murals made the minds more and more confused and confused more and more “understated.” With the advent of the new term “environmental art,” muralists began to make some new plans for their career prospects. Prior to this, though most mural artists were actually enlarging the single-width paintings, the value of single-width paintings was easily negated in the voice of elevating the status of “murals.” The mural’s position in the environment was aspirationally aspirational, with only a little painting artist talking about architecture and space under the banner of “Environmental Art.” However, the accumulation of knowledge in any discipline can not be done overnight. Environmental art is a systematic project based on science.