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随着社会生活的日趋丰富和文化的逐渐发展,各民族审美心理也在逐渐发生变化。我们从乌玛尔阿孜.艾坦的诗歌创作中可以看到,他对本民族审美心理既有认同与回归,也有批判与超越。诗人既通过对野性力的呼唤、图腾意象的再现和游牧意象的展示表现了对民族传统的执著守望,也通过对跨文化意象、走出意象的选择表达了对民族文化的诗意超越。
With the increasingly rich social life and the gradual development of culture, the aesthetic psychology of various nationalities is also gradually changing. As we can see from the poem creation of Umar Aze Aitán, he has both recognition and return to the aesthetic psychology of his nation, as well as criticism and transcendence. Through the call of wild forces, the reproduction of totem images and the display of nomadic images, the poets not only show their persistent dedication to national tradition, but also express their poetic transcendence of national culture through the choice of intercultural images and out of images.