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随着90年代初第六代导演的集体登场,社会转型的变革及大环境下人们内心的变化成为了他们作品中最常探讨的问题,作为第六代导演中极富鲜明特点的一员,娄烨偏爱纪实的风格,把电影的视角放在当下,但是他的着眼点并不是当下人人都在关注的大事件,而是通过精密捕捉某些具有代表性的小人物的精神世界来折射这个时代中最能引起我们共鸣的方面。本文将通过分析娄烨如何在其电影剧本中通过诠释城市文化生活、都市人的“爱”两个方面表达他对当代都市生
With the collective debut of the sixth generation of directors in the early 1990s, the transformation of social transformation and people’s inner environment under the macro environment have become the most frequently discussed issues in their works. As a member of the sixth generation of directors, Lou Ye prefers documentary style and places the film’s perspective on the moment, but his focus is not on the big issues everyone is following. Instead, he refracts this through a mental world that precisely captures some of the most representative little people The most striking aspect of our times. This article will analyze how Lou Ye expressed his views on contemporary urban life through interpreting urban cultural life and metropolitan people’s “love” in his screenplay.