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回首当今三十余年书法发展轨迹,是从文革后改革开放之初,中国书法家协会成立开始,把中国书法的发展引向正规之路。上世纪八十年代初期,书法从无序的状态,越来越步入正轨。八十年代末期,碑刻书风影响全国,形成了一种苍茫、粗犷之美。九十年代初期,手札尺牍书风兴起,书法走向墨迹趣味,表现出“小桥、流水、人家”的江南风韵。九十年代末期,在一批主持中青年书展的评蚕们的主导下,使书法从小情调的格局中蜕变出来,大批中青年书家在追求经典的同时,不断地张扬个性,表达性情,逐步走向了继承传统和创造个性的方向。到本世纪初期,中国书协的不少评委们主导了“二王”书法,深刻挖掘经典含量,提炼经典元素,书法走向了以
Looking back thirty years of calligraphy development today, from the beginning of the reform and opening up after the Cultural Revolution, China Calligraphers Association was established, the development of Chinese calligraphy lead to the formal path. The early eighties of last century, calligraphy from the state of disorder, more and more on the right track. The late eighties, inscriptions style of writing throughout the country, forming a vast, rugged beauty. In the early nineties, the style of calligraphy and calligraphy began to rise, and the calligraphy went to the amusement of ink, showing the southern charm of “little bridges, running water and people ”. In the late 1990s, under the leadership of a group of critters who presided over young and middle-aged book exhibitions, the calligraphic style was transformed from a childhood mood. A large number of middle-aged and young calligraphers continued to show their individuality and express their temperament while gradually pursuing the classic. To the direction of inheriting tradition and creating personality. By the beginning of this century, many judges of the Chinese Calligraphers dominated the calligraphy of “Two Kings”, deeply tapped the classic content, refined the classic elements,