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我团自从一九七九年四月恢复上演《李慧娘》以来,受到广大观众包括许多青年观众的热烈欢迎。在演出实践和接受观众检验的过程中,我们深深感到要使京剧具有新的生命力,必须解放思想,立志革新。我们就这方面谈谈粗浅的体会: 一、跟上时代,适应观众,革新传统剧目。关于李慧娘故事的戏,从明代周朝俊的《红梅记》传奇起,已有几百年的历史。解放以后,孟超同志改编的昆曲本《李慧
Since the regroupment of “Li Hui Niang” in April 1979, my delegation has been warmly welcomed by a large audience, including many young audiences. In performing the performance and accepting the test of the audience, we feel deeply that we must make Peking Opera have a new vitality and we must emancipate the mind and strive for innovation. We talk about the superficial experience in this respect: First, keep up with the times, adapt to the audience and reform the traditional repertoire. The story of Li Hui Niang’s play, from the Ming Dynasty Chao Zhou “Red Plum Kee” legend has several hundred years of history. After the liberation, Comrade Chao Chao’s adaptation of the Kunqu Opera "Li Hui