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概述古兆申在《乐府传声》(徐大椿著)译著导读中写道:“徐大椿的曲唱理论是在明代曲家所建立的框架上发展出来的,并吸取了明以前各种相关的重要理念,突出了‘口法’此一针对具体曲唱技术的核心概念,从实践的角度总结出一套可行的理论。”①“《乐府传声》是较为系统、综合研究性的论唱著作,说它是划时代的唱论,就是因为它在前人研究的基础上超越前人,探讨了许多前人还未探讨的演唱理论,是一部较
In his introduction to the translated book Yue Fu Chuan Sheng (Xu Da Chun), Gu Zhaoshen wrote: ”Xu Dachun’s theory of singing and singing was developed on the framework established by the composers of the Ming Dynasty and draws upon the various relevant , Highlighting the core concept of ’Oral Law’, which is directed at specific singing techniques, and summarizes a set of feasible theories from a practical point of view. “” “” “Yue Fu Biography” is a more systematic and comprehensive research Theory of singing, saying that it is a epochal sing, because it is based on predecessors on the basis of predecessors, to explore many of my predecessors have not discussed the theory of singing is a more