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“士人画”“文人画”概念的形成经历了漫长的历史过程。晋宋时期“士人画”“文人画”的概念已开始萌发,宋代苏轼提出了“士人画”的概念,明代董其昌提出了“文人画”的概念,众多的绘画理论家都对“士人画”“文人画”概念的内涵与外延做了一定的充实与拓展。
The formation of the concept of “Scholar Painting” and “Scholar Painting” has undergone a long historical process. The concept of “Scholar Painting” and “Scholar Painting” began to flourish during the Jin and Song Dynasties. Su Shi in Song dynasty put forward the concept of “Scholar Painting”. In the Ming dynasty, Dong Qichang put forward the concept of “Scholar Painting” Of the painting theorists have done some enrichment and extension of the connotation and extension of the concept of “scholars painting ” “literati painting ”.