论文部分内容阅读
伟大的美术史写作往往都是些再传统不过的话题,但我们仍能从中阐述出新意。德国著名美术史家汉斯·贝尔廷(Hans Belting)似乎总是为当代艺术家和批判家所津津乐道,并把他描述成一位当代艺术理论研究的权威人物,但我们不该忘记,他是一位名副其实的中世纪和文艺复兴时期艺术史权威,而且在此方面著述颇丰。他近些年又集中精力讨论了西方美术史上最为经典的话题——透视法与文艺复兴,以及油画在尼德兰的发明等,但其视角却不同
Great art history writing is often more traditional topics, but we can still explain new ideas. Hans Belting, a well-known German art historian, seems to always talk about contemporary artists and critics alike and portray him as an authoritative figure in contemporary art theory, but we should not forget that he is one The name of the true medieval art and Renaissance art history authority, but also in this area quite good. In recent years, he has also focused his attention on the most classic topics in Western art history - perspective and Renaissance, as well as the invention of oil paintings in Netherland but with different perspectives