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不同时期的艺术主导因素是不同的。在当下,经济因素的过多介入正使市场成为艺术风向的主导力量之一。如果说,这是文化步入媒体时代的一个表征,那么,“客京族”的大量出现则是“媒体至上”思维逻辑的一个结果。媒体-市场-资本-知名度构成了一个循环往复的生产链条,谁在这个链条上占领先机,谁就与利益结了亲。换句话说,艺术正越来越得利于媒体,也越来越受制于媒体,而媒体则受制于资本、市场甚
Art dominance in different periods is different. At the moment, excessive involvement of economic factors is making the market one of the leading forces in the art landscape. If we say that this is a sign that culture has stepped into the media age, the appearance of a large number of “Keijing” people is the result of the logic of “media-first” thinking. Media - market - capital - visibility constitutes a cycle of production chain, who took the initiative in this chain, who knot with the interests of the pro. In other words, art is gaining more and more benefit from the media and more and more from the media, while the media is subject to capital and the market