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叶建新的山水画,大气磅礴,自 然洒脱。其大胆的构图、大块的墨 色、大笔的渲染,可谓恣肆淋漓、云 覆山翻,充盈着蓬郁的生机,让人注 目,并在注目之际既生“独与天地精 神往来”的向往与“澄怀观道”的快 意。 正如林语堂在论中国画时精辟的 描述:“中国艺术的冲动发源于山 水。”山水画从在隋唐勃发兴起之时 起,就是一种非功利的纯审美活动, 画家对“天地大美”之思、之情、之 意的外化,是精神与意识价值的体现, 虽然在后世的每一个时代,山水画都 呈现出不同的风格与面貌,但以意摄 象、以象写意,这些山水画取山水之
Ye Jian new landscape painting, magnificent, natural free and easy. Its bold composition, large pieces of ink, a large amount of rendering, can be described as unbridled dripping, cloud covered Hill turn, full of pompous vitality, eye-catching, and in the eyes of both students Aspiration and “Cheng Huai Guan Road ” pleasure. Just as Lin Yutang’s incisive description of Chinese painting: “The impulse of Chinese art stems from the landscape.” From the very beginning of the rise of the Sui and Tang Dynasties, landscape painting is a non-utilitarian pure aesthetic activity. "The thinking, feeling, meaning of externalization, is the manifestation of the value of spirit and consciousness, although in every future generations, landscape paintings have shown a different style and appearance, but the Italian camera, like the freehand, these Landscape painting landscape