论文部分内容阅读
我觉得自己经常处于一种尴尬、难堪的地步,那就是面对自己创作的作品,回答别人提出的一连串问题,“这件作品为什么叫这个名子?”“这件作品是什么意思?”“请谈谈你的创作风格与特点。”此时我只有张口结舌而已。人们只看到作品完成后的喜悦而不清楚创作的艰难中所饱含的痛苦、徘徊的郁闷,只看到了作品而未听到在它背后寂寞、孤独和压抑的叹息。人们只尝到了甜的果而不知苦涩的根。我只能通过作品说出点什么,别无它求,而说话的不是创作者,是作品。一件作品,由于观者年龄职业的不同,文化程度、生活阅历的不同,地位层次高低的不同,他们的认识、联想、审美情趣就会各自不同。但是每个人所感受到的,可以说也正是创作者所要说的。现在请大家开启自己形象思维的阐
I feel myself often in an awkward, embarrassing situation, that is, facing the creations of my own work and answering a series of questions raised by others, “Why is this work called this name?” “What does this work mean?” Please talk about your creative style and characteristics. "At this point I only tongue-tied it. People only see the joy after the completion of the work but do not know the pain and lingering depression in the creation. They only see the work without noticing the lonely, lonely and depressing sighs behind it. People only taste the sweet fruit without knowing the bitter root. I can only say something through the work, without asking for it, but not the creator to speak, is the work. A piece of work, because of the different occupations and ages of viewers, the educational level, the different life experience and the different levels of status, their cognition, association and aesthetic taste will be different. However, what everyone felt, it can be said is just what creators want to say. Now, please turn on your own interpretation of the image of thinking