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2012年4月7日,由人民美术出版社、中国美术家协会中国画艺术委员会、铁岭市人民政府共同主办的“指点山河—杨一墨艺术展”在中国美术馆开幕,本次展览由《艺术沙龙》杂志策划并承办。此次展出的100余件精品力作,题材涉及花鸟、人物、山水。既有纯毛笔画作品,也有指画作品,体现了画家对指墨与毛笔这两种艺术表现形式高度的驾驭能力。作品指墨《富春山居图卷》是杨一墨于2010年完成的,该画作是以指墨临黄公望的《富春山居图卷》(《无用师卷》与《剩山卷》合璧),将古人的笔墨作品转换为指墨作品,既保持了原画的基本风貌,同时又把笔墨语言“翻译”成了指墨语言。这是一个大工程,画家为此做了十数年的努力。巨幅指画近作《兰亭修禊图》,画王羲之与谢安等人于
On April 7, 2012, the “pointing Shan River - Yang Yimo Exhibition” co-sponsored by People’s Fine Arts Publishing House, China Artists Association Chinese Painting and Art Committee, and Tieling Municipal People’s Government was opened at the China Art Museum. “Art Salon” magazine planning and contractor. The exhibition of more than 100 pieces of masterpiece, subject matter involved in flowers and birds, figures, landscapes. Both pure brushwork and finger painting, reflecting the artist’s ability to control the two forms of artistic expression refers to ink and brush. Works refers to the ink “Fuchun mountain home map volume” was completed in 2010 by Yang Yimo, the painting is referring to ink Huang Gongwang “Fuchun mountain home map” (“useless division volume” and “left volume” combination ), The works of the ancients’ works of ink and ink were converted into works of ink, which not only maintained the basic style of the original painting, but at the same time turned the pen and ink language “translation” into the ink language. This is a major project, for which painters have worked hard for several years. Huge finger painting near the “Lanting repair 禊 map”, painting Wang Xizhi and Xie An et al