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诺曼·敏尼柯编。布法罗市,纽约州:怀特潘恩,2010年。260页。17美元。ISBN:978-1-935210-07-8。阅读《在水与歌之间》这部诗集就像是旧时的战事又突然爆发了一样。回到上世纪60年代,美国文学在一部又一部文选的推动下繁荣起来,每一部选集都大胆地宣称自己是“新”诗歌,每一部都在否定其他作者的同时又努力鼓吹自己。在过去的三四十年里,这种自封疆土的喧闹沉寂已久,但是现今诺曼·敏尼柯,《在水与歌之间》的编者走了出来,用熟悉的言语亮出了自己的观点:“语言诗歌的严重缺乏和后现代主义者的乏味与讥讽,无疑都导致了诗歌的荒芜。”这些诗人代表了“21世
Norman Minneco. Buffalo, NY: White Paine, 2010. 260 pages. 17 dollars. ISBN: 978-1-935210-07-8. Reading the poem ”Between the Water and the Song“ is like a sudden outbreak of the old war. Back in the 1960s, American literature prospered under the motivation of another anthology, each of which boldly proclaimed itself as ”new“ poetry, each denying other authors Try to promote yourself. In the last three or four decades the noisy silence of this self-styled territory has been around for a long time, but now Norman Minnick, editor of Between Water and the Song, came out and showed himself in familiar words : ”The serious lack of linguistic poetry and the tedium and sarcasm of postmodernists undoubtedly led to the desolation of poetry.“ ”These poets represent" 21st Century