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自20世纪90年代以来,中国诗歌的边缘化窘境早已为人所周知,其前景令人担忧。然而,穷则思变,新世纪以来,不少诗人都在寻找新的诗歌书写方式与形式。而新世纪正处于多元化、去分化的文化氛围之下,跨文化、跨领域、跨界限、跨学科、跨艺术的交流与合作日趋盛行。在此语境下,一种拥有“诗歌与戏剧的跨界结合,朗诵与表演的形式互动,抒情与叙事的自由切换”1等特点的诗歌范式即跨界诗歌浮出历史地表,这种诗歌实验或将诗歌与音乐
Since the 1990s, the marginalization of Chinese poetry has long been known and its prospects are alarming. However, the poor change their thinking. Since the beginning of the new century, many poets are looking for ways and forms for writing new poems. The new century is under the cultural atmosphere of diversification and de-differentiation. The exchange and cooperation across cultures, trans-disciplines, cross-boundary areas, interdisciplinary areas and inter-arts fields have become increasingly prevalent. In this context, a paradigm of poetry that has “cross-border combination of poetry and drama, the interactive form of recitation and performance, and the free switch of lyricism and narrative” Poetry experiment or poetry and music